12/6/2023 0 Comments Movie footage of martial law news![]() ![]() Unlike other recent films that merely capitalize on the anti-Martial Law sentiment without actively connecting to or serving the communities it has affected, 11,103 extends beyond what narratives it chooses to highlight and commits to accessibility. In ignoring these stories at the periphery, we reinforce what writer Anna Canlas describes, albeit in a completely different context, as “systematic stealing thrives in inattention.” Previously tackled by Teng Mangansakan in his 2016 documentary Forbidden Memory, Ifurung and Alcazaren depict how individuals were corralled into mosques only to be killed - a scene horrifyingly reminiscent of Elem Klimov’s Soviet anti-war film Come and See, with such savageries occurring around the same time in Belarus and the Philippines in the 1970s.ġ1,103 challenges the Manila-centric narrative of Martial Law that limits it to myth and demonstrates that many of the state-sponsored brutalities remain to be unearthed. These contrasts between gore and accessibility from this visual style are highlighted when the Palimbang massacre in Sultan Kudarat is recounted. Whatever is lost to time is visualized in brutal detail through hand-drawn illustrations and animations by a collection of artists facilitated by Franny Ocampo, resulting in images that seem to come from a twisted graphic novel. What emerges from this is a race against erasure at the hands of time, state-sponsored efforts, and indifference – with Ifurung and Alcazaren transforming Bantayog ng mga Bayani into one of the last strongholds preserving truth and historical memory in the country. Ang ( Leonor Will Never Die Violator) juxtaposes the suffering endured under Martial Law by a dying generation with the slow return to power of the Marcos family in the 2022 elections. Rather, it is straightforward prose - unfolding almost like a fractured fairy tale divided into chapters named after the victims it chooses to follow. Instead, it uses it to create a sociopolitical snapshot of this important junction in history where witnesses are called to be activists. ![]() Such cruel irony is not lost on the film. first declared martial law, we find ourselves in the same suffocating conditions as our parents and grandparents, with the Marcos family back in power. 10368, otherwise known as the “Human Rights Victims Reparation and Recognition Act of 2013,” which was created to acknowledge the violations that occurred during the Martial Law era and to provide reparations to the victims. The documentary, directed by Jeannette Ifurung ( Batas Militar) and Mike Alcazaren ( Patay Kung Patay), tracks the lives of a select few who are recognized by Republic Act No. It is difficult to walk away from 11,103 without being awed by its brazenness.
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